Funnily enough, without even listening to the album that Natural Snow Buildings sent us, we already felt on familiar ground. Maybe quite simply thanks to the plain information that came along with their album: just a sheet of tracing paper with the titles and the instruments, typed with a typewriter font. And the osmosis wasn't denied, as we fell for these long atmospheric tracks, mostly based on a guitar/loops/cello trio.
"Album recorded in a few weeks between September 2001 and January 2002, at home in Paris. Tracks written at the same time except for "Guns & Rifles" written in March 2001.
Instruments: Fx411 + headrush + big muff + piano + bottleneck + cello + amp-in-case electric guitar + md8 + bg-1 + fg401 guitar + danecho, voice; no amps, no secrets, ok? Natural Snow Buildings=solange/mehdi. "Nuclear Winter" and "The Haunted Falls", pitched, stuck together, folded, twisted, reverbed on computer; (...)=radio sandino...
Email us at snowbuild@hotmail.com"
Recording info
- Tracks -
1. Nuclear Winter / (Dispatches)
2. If I Can Find My Way Through The Darkness...
3. ... I Came Down Here
4. Sun
5. The Haunted Falls / (Let Us Now Praise Harry Powell)
6. Fallen Lords Were Riding Half Horses
7. With A Stolen Red Lipstick Bible On Her Side
8. They Are Still Hanging Around
9. (...)
10. Guns & Rifles
11. Nuclear Winter
We discovered Templo Diez thanks to an exchange of records with the French label Intercontinental Records, which had released the band's debut album "Hoboken". Three years later, while hinah was on a sabbatical year, Pascal Hallibert sent us the new cd of Templo Diez, "Winterset", on which we especially loved the beautiful song "Sal". We suggested we could put out an EP if they felt like going for more acoustic tracks and putting the voice of Gloribel Hernandez (who was also singing on "Sal") more upfront. And they agreed!
We discovered Andrew Goldman's music a few years ago, at the time of his folk, melodic project Maestro Echoplex. After playing for a while under the name John Guilt, Andrew started a new project named Fulton Lights, which has just released its second album "The Way We Ride" and its heavier and more distorted atmospheres and tempos. As Andrew was on solo tour in Europe, we invited him over for a session that was meant to be electric but ended up being acoustic after the amp of our friend Éric decided to break down at the last minute. So here is a chance to discover Fulton Lights in its most stripped-down version!
Those who visit our website regularly are bound to have come across the name "Flowers From The Man Who Shot Your Cousin" once in a while in the news section. Indeed, we have been following closely Morgan Caris’s project in the last five years and we would very much like to release something with his name on it... But Morgan is a perfectionist and this something is yet to come. Therefore a hinah session had clearly become necessary and the opportunity of an acoustic evening with Shelley Short and Brittain Ashford to inaugurate our Parisian hinah hq was just the perfect excuse!
This is not the first treat we get from Matt Bauer: a few years ago, he had already contributed to our "Tribute To The Anthology Of American Folk Music by Harry Smith" with an edited cover of "Willie Moore". Shortly afterwards, he had sent us his big EP "Wasps And White Roses", a beautiful folk piece on which the banjo blends with Matt's suave voice. In addition, Matt was surrounded with nice people, as Jolie Holland and Mariee Sioux joined him for this EP! So as Matt was touring Europe as part of Alela Diane's backing band in the spring, we invited him to make a detour via Frankfurt for a live hinah session.
:: Catalogue & mp3 ::
hinah029 - Templo Diez
hinahgift026 - Fulton Lights
hinahgift025 - Flowers From The Man Who Shot Your Cousin
hinahgift024 - Matt Bauer